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Tag Archives: Dave Clark Five
A Personal History of the British Music Industry 107 – Derek Everett
Derek Everett is another of those long-serving vital industry folk who somehow managed to avoid all the cameras – or maybe they avoided him. So, if you know or worked with him, before you start reading his story, which is … Continue reading →
Posted in A Personal History of the British Record Business, Uncategorized
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Tagged 1950s, 1960s, 1980s, Al Bennett, Andrew Lloyd Webber, April Music, Arnold Maxim, Arthur Muxlow, Baccara, Barney Ales, Berry Gordy, Bill Townsley, Bob Dockerill, Brian Brolly, Brian Shepherd, Bunny Lewis, Carole King, Charles de Vere, Chris Neal, Dave Clark, Dave Clark Five, David Essex, David Howells, Deke Arlon, Del Shannon, Denis KLnowles, Dennis Preston, Des Champ, Dolly Parton, Elvis Presley, Finsbury Park Astoria, Frankie Ford, Geoffrey Bridges, George Marks, Gerard Kenny, Gull Records, Harvey Lisberg, Irvine Martin, Jeff Wayne, Joe Meek, John Burgess, John Howells, John Schroeder, John Snell, John Whittle, Ken East, Ken Elliott, Ken Glancy, Kingsway Studios, L.G. Wood, Larry Uttal, Lewisham Hippodrome, Little Eva, Marty Machat, Maurice Oberstein, Mickie Most, Mike Maitland, Mike Smith, Monty Babson, Morris Levy, music, Neil Ardly, Norrie Paramor, Olav Wyper, Paul Marshall, Pete King, Phil Solomon, Ray Martin, Reg Warburton, Rex Oldfield, Richard Branson, Richard Clayderman, Richard Robinson, Rick Gunnell, Robert Dockerill, Robert Stigwood, Rocket Records, Roland Rennie, Ron White, Ronnie Bell, Ronnie Harris, Roy Squires, Russ Regan, Scene at 6.30, Sheena Easton, Shel Talmy, Sir Edward Lewis, Sir Joseph Lockwood, Steve Ashley, Tellydisc, The Most Brothers, Tim Rice, Tony Chrstie, Top Rank, York Records
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4 Comments
A Personal History of the British Record Business 86 – Ron Richards 2, and conclusion
Tell me about The Hollies A guy named Tommy Sanderson worked at Francis Day & Hunter and he used to have his ear to the ground and knew a lot of radio producers in Manchester. This producer phoned Tommy and … Continue reading →
Posted in A Personal History of the British Record Business, Stories of the British Music Business, Uncategorized
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Tagged Abba, Abbey Road, abbey Road Studio 2, AIR London, Bob Barratt, Brian Epstein, Dave Clark Five, Denmark Street, Dick James, Ella Fitzgerald, Frank Ifield, George Martin, Gerry & Pacemakers, Goddard Lieberson, Gold Star studios, Graham Gouldman, Jerry Lordan, John Barry, John Burgess, Johnny Spence, Joseph Lockwood, Ken Townsend, Len Wood, Liberty Records, Matt Monro, Mickie Most, Mike Sloman, Mitch Murray, Norman Granz, Norrie Paramor, P.J. Proby, Peter Sullivan, Phil Spector, Ron Richards, Ron White, The Hollies, Tommy Sanderson, Tommy Steele
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1 Comment
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